Owner of Wee Taps and Full-Time Indie Illustrator & Designer: A Top Designer Interview With Paddy Donnelly

Welcome to another installment of our Top App Dev Interview series!

This time there’s a slight twist: we’re actually interviewing a designer. I guess that makes this a Top App Designer Interview. :]

Each interview in this series focuses on a successful mobile app, developer or designer and the path they took to get where they are today. Today’s special guest is Paddy Donnelly.

Paddy Donnelly is an Irish illustrator who now lives in Belgium. With over 14 years experience as an illustrator and designer, Paddy now gets to make living drawing dinosaurs, and his 5-year-old self is very happy about this.

Paddy is comfortable working in a number of different illustration styles depending on the type of project. He has been creating kids apps for iOS under the brand Wee Taps and wishes that Pluto was still a planet. He also redesigned the raywenderlich.com website a few years back!

Love For Pixels

I understand you were previously a designer, and now focus more on illustration. What made you decide to make the switch, and were there any challenges making this career switch?

I’ve been working as a designer for about 14 years. I got my start in web design and have moved through desktop apps, mobile apps, print design, games and the last few years have been all about illustration. Now I’m focusing a lot more on illustrating children’s picture books, which is a totally different experience.

I’ve had a love for illustration since I was a kid, but it’s only after working in the design industry for so many years that I felt I could really dive into it as a career.

About 10 years ago, each website was something unique. A totally different design, based on what the website was about. Web designers were really creative, however, I feel that web design ‘found its groove’ a few years ago and we’ve gone through a period of all websites having this same basic structure and look and feel. Mobile apps also went the same way and I didn’t really enjoy the ‘flat design’ era. I do appreciate good, minimal design, however creatively I longed for something a bit different.

I wanted every project to be something new and challenging and didn’t want to start from a template. That’s maybe why illustration appeals to me. No two projects are alike and you can really express yourself in the piece.

There are of course challenges to working as an illustrator vs a designer. There is a lot of competition and it’s really difficult to break into the children’s publishing market, however, I’m enjoying trying something new.

Paddy now focuses on illustrations.

Paddy now focuses on illustrations.

Imagine someone commissions you to create an illustration. What is your general process, how long does it usually take you and what tools do you use?

This depends on a lot of different factors. The first step is to discuss the concept with the client, their goals for the piece etc. Then I’d move on to rough sketching and often I’d use mood boards to show what I’m thinking in terms of style. Then it’s on to the digital illustration. Timing depends on the size, style, complexity etc.

I use a Wacom Tablet with Photoshop and Illustrator. I use a lot of Kyle Webster’s brushes in my illustration pieces.

What illustration are you most proud of, and why?

This is a tough one. Well, one of the most amazing opportunities I’ve had was to create the unlockable stickers for Foursquare’s Swarm app. That has been so much fun coming up with crazy sticker ideas, and also knowing that something you created is used by millions of people is pretty mind-blowing.

Sticker pack designed by Paddy for Foursquare’s app.

Sticker pack designed by Paddy for Foursquare’s app.

Recently I’ve created a couple of kids illustration pieces, one symbolising the struggle with dyslexia and one about Little Red Riding Hood that I’m pretty proud of.

Being a designer is such a creative outlet for me. It’s great to be able to imagine a creative solution in your mind and then work hard to realise that solution. Seeing a finished product is always satisfying, and hearing good feedback from users. Getting to be creative every day is perhaps the best thing.

What recommendations do you have for app developers looking to hire designers or illustrators? For example: where should they look to hire someone, and do you have any tips for working well with a designer/illustrator?

I’d say get involved in the project as soon as possible in the process so that both you and the designer know what’s expected and are both thinking about solutions. I always try to involve the developer even at the idea stage, as I think it’s far too late to hand a completed design to a developer and say ‘build this’.

If you get involved early in the process, developers can give you ideas on what new technologies are available, tricks you can use to speed up the workflow and give you an idea of what’s possible within the budget/timescale.

In terms of finding a designer, most clients contact me after visiting my portfolio site or through sites like Dribbble. I’ve also now just recently signed with an agent, The Bright Agency so now I get a lot of illustration projects through them. Instagram is also a good way to get your work out there. So any one of these avenues is a great starting point to finding a super designer..

If one of our readers wants to become “an awesome illustrator just like Paddy”, and has 4 years to do so, how would you recommend they spend their time?

1. Work hard.
2. Be nice to people.

These two rules are essential. There are no shortcuts. You just need to do more and more work to get better.

If your job is your passion, then all the better. Then you can constantly be adding to your portfolio, just for fun. And definitely, make connections with people. I’ve gotten so many great projects through other designers and developers I have worked with, met at conferences, interacted with online.

Be nice to people because it’s a small world and an even smaller industry.